<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6850465001878657610</id><updated>2011-07-30T20:02:22.755-07:00</updated><title type='text'>Wayne K. Spitzer</title><subtitle type='html'>Curriculum Vitae</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://waynespitzercv.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6850465001878657610/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://waynespitzercv.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>_____________</name><uri>http://www.blogger.com/profile/17575006649361245068</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_RO7I9UFOLiQ/SkA2ItGDJII/AAAAAAAAB6o/43fzuhelmhE/S220/youuimprove.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6850465001878657610.post-7568762669462139748</id><published>2009-06-01T22:15:00.000-07:00</published><updated>2009-06-15T10:38:53.933-07:00</updated><title type='text'></title><content type='html'>&lt;div class="post hentry"&gt;&lt;a name="8773662243206075528"&gt;&lt;/a&gt;&lt;div class="post-body entry-content"&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_RO7I9UFOLiQ/SiSp5I_YWXI/AAAAAAAABks/hjaMtOJpnpk/s1600-h/headshot099.gif"&gt;&lt;img id="BLOGGER_PHOTO_ID_5342581857099209074" style="margin: 0pt 10px 10px 0pt; float: left; width: 166px; cursor: pointer; height: 212px;" alt="" src="http://3.bp.blogspot.com/_RO7I9UFOLiQ/SiSp5I_YWXI/AAAAAAAABks/hjaMtOJpnpk/s200/headshot099.gif" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:georgia;"&gt;&lt;span style="font-size:180%;"&gt;W&lt;/span&gt;&lt;span style="font-size:85%;"&gt;AYNE SPITZER&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-weight: normal;font-family:arial;font-size:85%;"  &gt;is an author, filmmaker, and teacher of writing from the Pacific Northwest. His genre work includes an SF/&lt;br /&gt;horror novel, &lt;/span&gt;&lt;span style="font-weight: normal;font-family:arial;font-size:85%;"  &gt;&lt;a href="http://www.chapters.indigo.ca/books/Flashback-Wayne-Spitzer-David-Sharp/9781556864872-item.html"&gt;&lt;span style="font-style: italic;"&gt;Flashback&lt;/span&gt;&lt;/a&gt; (Books in Motion/Classic Ventures, 1993), the movies &lt;a href="http://www.amazon.com/Shadows-Garden-Anniversary-Wayne-Spitzer/dp/B0027FG1RM"&gt;&lt;span style="font-style: italic;"&gt;Shadows in the Garden&lt;/span&gt;&lt;/a&gt; (IndieFlix, 2007) and &lt;a href="http://www.moria.co.nz/index.php?option=com_content&amp;amp;task=view&amp;amp;id=2581Itemid=1"&gt;&lt;span style="font-style: italic;"&gt;Monsters-&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.moria.co.nz/index.php?option=com_content&amp;amp;task=view&amp;amp;id=2581Itemid=1"&gt;&lt;span style="font-style: italic;"&gt;dotcom&lt;/span&gt;&lt;/a&gt; (Brimstone LLC, 2003),&lt;br /&gt;and numerous low-budget television programs and ad spots. His non-genre work has appeared in &lt;a href="http://columbia.washingtonhistory.org/magazine/articles/2008/0208_toc.aspx"&gt;&lt;span style="font-style: italic;"&gt;Columbia: The Magazine of Northwest History&lt;/span&gt;&lt;/a&gt;, &lt;a href="http://www.subterrain.ca/"&gt;&lt;span style="font-style: italic;"&gt;subTerrain&lt;/span&gt;&lt;/a&gt;, &lt;a href="http://www.micro-film-magazine.com/"&gt;&lt;span style="font-style: italic;"&gt;Micro-film: The Magazine of Personal Cinema in Action&lt;/span&gt;&lt;/a&gt;, and &lt;a href="http://www.zoominfo.com/Search/ReferencesView.aspx?PersonID=464114806"&gt;&lt;span style="font-style: italic;"&gt;Generation X National Journal&lt;/span&gt;&lt;/a&gt;. He is currently writing an autobiographical novel titled &lt;span style="font-style: italic;"&gt;X-Ray Rider&lt;/span&gt;, &lt;/span&gt;&lt;span style="font-weight: normal;font-family:arial;font-size:85%;"  &gt;about growing up in the 1970s. Wayne is an MFA candidate at Eastern Washingto&lt;/span&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;n&lt;/span&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt; &lt;/span&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;University.&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://waynespitzerwritingatcorbin.blogspot.com/"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Information About Wayne's Classes at Corbin Art Center &gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;EDUCATION&lt;/span&gt;&lt;strong&gt;&lt;/strong&gt; &lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;Master of Fine Arts, Creative Writing&lt;/span&gt;, Eastern Washington University, Cheney WA, 2010 / Thesis: &lt;span style="font-style: italic;"&gt;X-Ray Rider&lt;/span&gt; / Chair: Jonathan Johnson, PhD. Co-chair: Rachel Toor &lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;Bachelor of General Studies, English/Humanities&lt;/span&gt;, Gonzaga University, Spokane WA, 2006 &lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;Associate in Applied Science, Television Production&lt;/span&gt;, Spokane Falls Community College, Spokane WA, 1989 &lt;/p&gt;&lt;p&gt;&lt;strong&gt;TEACHING&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;EXPERIENCE&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt;&lt;span style="font-weight: bold;"&gt;Instructor, Creative Writin&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;g, Corbin Art Center&lt;/span&gt;, Spokane WA, April 2008—Present &lt;p&gt;&lt;span style="font-weight: bold;"&gt;Instructor, Creative Writing, Airway Heights Corrections Center&lt;/span&gt;, Airway Heights WA, September 2006—Present &lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;Co-Instructor, Creative Writing, Greenacres Elementary School&lt;/span&gt;, Spokane Valley WA, October 2006 &lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;AUTHORED COURSES&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Science-fiction, Fantasy and Horror Writers' Workshop &lt;span style="font-weight: bold;"&gt;I&lt;/span&gt;, Corbin Adult Fine Art Classes and Workshops-6356, October 1 through November 12, Fall Quarter 2008&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Science-fiction, Fantasy and Horror Writers' Workshop &lt;span style="font-weight: bold;"&gt;II&lt;/span&gt;, Corbin Adult Fine Art Classes and Workshops-7350, January 21 through February 25, Winter Quarter 2009&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Science-fiction, Fantasy and Horror Writers' Workshop &lt;span style="font-weight: bold;"&gt;III&lt;/span&gt;, Corbin Adult Fine Art Classes and Workshops-8526, April 8 through May 13, Spring Quarter 2009&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Writer's Marketplace: Getting Published, Getting Read, and (Maybe) Getting Paid &lt;span style="font-weight: bold;"&gt;I&lt;/span&gt;, Corbin Adult Fine Art Classes and Workshops-6362, Fall 2008&lt;br /&gt;&lt;/p&gt;Writer's Marketplace: Getting Published, Getting Read, and (Maybe) Getting Paid &lt;span style="font-weight: bold;"&gt;II&lt;/span&gt;, Corbin Adult Fine Art Classes and Workshops-7351, Winter 2009&lt;br /&gt;&lt;br /&gt;Writer's Marketplace: Getting Published, Getting Read, and (Maybe) Getting Paid &lt;span style="font-weight: bold;"&gt;III&lt;/span&gt;, Corbin Adult Fine Art Classes and Workshops-8874, Spring 2009 &lt;p&gt;&lt;span style="font-weight: bold;"&gt;CO-AUTHORED COURSES&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Creative Writing for Intermediaries &lt;span style="font-weight: bold;"&gt;I&lt;/span&gt;, Airway Heights Corrections Center, September 24 through December 12, Fall 2006.&lt;/p&gt;&lt;p&gt;Creative Writing for Intermediaries &lt;span style="font-weight: bold;"&gt;II&lt;/span&gt;, Airway Heights Corrections Center, January 5 through March 20, Winter 2007.&lt;/p&gt;&lt;p&gt;Creative Writing for Intermediaries &lt;span style="font-weight: bold;"&gt;III&lt;/span&gt;, Airway Heights Corrections Center, September 24 through December 12, Fall 2008.&lt;/p&gt;&lt;p&gt;Creative Writing for Intermediaries &lt;span style="font-weight: bold;"&gt;IV&lt;/span&gt;, Airway Heights Corrections Center, January 5 through March 20, Winter 2009.&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;SELECTED LESSONS&lt;/span&gt; &lt;/p&gt;&lt;p&gt;"Searching for Sun Domes: An Exercise in Going Somewhere by Getting Nowhere" (Corbin Art Center, AHCC, March 2009)&lt;/p&gt;&lt;p&gt;"Address Unknown: Using the Epistolary Narrative to Add Realism, Verisimilitude, and Suspense" (Corbin Art Center, AHCC, January 2009)&lt;/p&gt;&lt;p&gt;"Theatre of the Grotesque: Marrying Empathy and Disgust to Create Powerful, Paradoxical Characters" (Corbin Art Center, AHCC, January 2009)&lt;br /&gt;&lt;/p&gt;&lt;p&gt;"The Green Dock-light: Using Objective Correlatives to Create Emotional and Thematic Leitmotifs" (Corbin Art Center, AHCC, January 2009)&lt;br /&gt;&lt;/p&gt;&lt;p&gt;"The Waiting Room: Using Personalized Environments to Fast-track Exposition and Illuminate Character" (Corbin Art Center, AHCC, December 2008)&lt;/p&gt;&lt;p&gt;"Playing God: Drawing on Creation Myths and the Oral Tradition to Build Worlds" (Corbin Art Center, AHCC, November 2008)&lt;/p&gt;&lt;p class="MsoNormal"&gt;"From A to Z, in the Chocolate Alphabet: Jazzing Around with Vignettes and Flights of Fancy" (Corbin Art Center, AHCC, October 2008)&lt;/p&gt;&lt;p class="MsoNormal"&gt;"And the Gunslinger Followed: Creating Unforgettable Openings by Starting in the Middle of the Action, the Landscape, &lt;span style="font-style: italic;"&gt;Everything" &lt;/span&gt;(Corbin Art Center, AHCC, October 2008)&lt;span style="font-size:16;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;"What I Saw Leaving Danton, California: Interior Monologue and Limited Point-of-view" (Corbin Art Center, AHCC, October 2008)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“Poe’s Brain: Unusual States of Consciousness as a Literary Tool” (AHCC, February 2007)&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“You Can Say That Again! Recognizing and Eliminating Clichés” (AHCC, January 2007)&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“The Spell of Place: Dickens, Blackwood, and Setting as Character” (AHCC, December 2006)&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“Dynamic Character, Defining Moments and Epiphanies” (AHCC, November 2006)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“Fear as Catalyst: Writing Popular Fiction with A Supernatural Theme” (AHCC, October 2006)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“Young Poets Workshop” (Greenacres Elementary School, October 2006) &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“What Writing Is: Introductory Module” (AHCC, October 2006) &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;HONORS /&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;AWARDS&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Patrick F. McManus Scholarship, Eastern Washington University, 2006—2007 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Masters Literary Awards Honorable Mention (“How About a Coke and Some Fries?”), Titan Press, 2004 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Winner, Best Short Film (&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Last Stop Station&lt;/span&gt;&lt;span style="font-size:100%;"&gt;), Hollywood Scarefest, Buena Park CA, 2003 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Puget Sound President's Scholarship for Academic Merit, University of Puget Sound, 2002 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;National Dean's List, Eastern Washington University, 2000—2002 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt; Golden Pen Nomination, Spokane WA, 1994 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Presidents/Dean's List, Spokane Falls Community College, 1987—1989 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;PUBLICATIONS&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;BOOKS&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:100%;"&gt;Spitzer,Wayne K. &lt;/span&gt;&lt;a href="http://www.lv.librarything.com/place/Spokane,%20Washington,%20USA"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Flashback&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;. Spokane, Washington: Books in Motion/Classic Ventures, 1993.&lt;br /&gt;&lt;a href="http://www.chapters.indigo.ca/books/Flashback-Wayne-Spitzer-David-Sharp/9781556864872-item.html?pticket=npjb3qriwgc0pj55bx5dyt456uWLXXF092uiFOzojJZ0HLQJg2c%3d"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;ESSAYS /&lt;/strong&gt;&lt;strong&gt;&lt;br /&gt;SHORT FICTION&lt;/strong&gt;&lt;/span&gt; &lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://columbia.washingtonhistory.org/magazine/articles/2008/0208_toc.aspx"&gt;“Flying the Fogroads of Cascadia: Grover Krantz on the Trail of Bigfoot."&lt;/a&gt;&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt; Columbia: The Magazine of Northwest History&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Summer 2008; Vol. 22, No. 2. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://bp2.blogger.com/_RO7I9UFOLiQ/RvdHZl7TaAI/AAAAAAAAAxs/6t40GHv9LW0/s1600-h/friesforpost.jpg"&gt;“How About a Coke and Some Fries?”&lt;/a&gt; &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;subTerrain Magazine&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 4, &lt;a href="http://bp0.blogger.com/_RO7I9UFOLiQ/RvdH9F7TaBI/AAAAAAAAAx0/yXEofHM0KFU/s1600-h/subcovforweb.JPG"&gt;No. 37&lt;/a&gt; (2003): 31&lt;a href="http://bp0.blogger.com/_RO7I9UFOLiQ/RvdGwF7TZ_I/AAAAAAAAAxk/lC4WR0-JlX8/s1600-h/fries2forpost.JPG"&gt;—&lt;/a&gt;&lt;a href="http://bp3.blogger.com/_RO7I9UFOLiQ/RvdGh17TZ-I/AAAAAAAAAxc/EJ1DMG8bZQU/s1600-h/fries3.JPG"&gt;33&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:100%;"&gt;Reprinted in: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Generation X National Journal&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 2, No. 3 (2004): 20—21, 24, and 27. &lt;/span&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. “I Am the Ferryman.” &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Hemmingstein's Word Weaver's Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 1, No. 1 (1993): 90—120. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. “The Operation.” &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Hemmingstein's Word Weaver's Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 1, No. 6 (1995): 119—122. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. “The Escape.” &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Hemmingstein's Word Weaver's Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 1, No. 5 (1995): 91—98. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. “The Torturer.” &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Hemmingstein's Word Weaver's Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 1, No. 4 (1994): 115—125. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. “The Project.” &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Hemmingstein's Word Weaver's Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 1, No. 3 (1994): 131—139. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. “The Institute.” &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Hemmingstein's Word Weaver's Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 1, No. 2 (1993): 105—113. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;GRAPHIC&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;ARTS&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Osborne, Tadashi and Wayne K. Spitzer. “Todd.” Serialized in &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Ninety-9&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, No. 7 (1993): 32—37; &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Ninety-9&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, No. 6 (1993): 7—14; &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Random Effects&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 1, No. 1 (1990): 64. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;ELECTRONIC&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;MEDIA&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;INTERNET&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;PUBLICATIONS&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;/span&gt;&lt;a href="http://www.helium.com/items/1473763-in-cold-blood-truman-capote-analysis"&gt;"Yellow Avenging Angel in an Annihilating Sky&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.helium.com/items/1473763-in-cold-blood-truman-capote-analysis"&gt;: Truman Capote's &lt;span style="font-style: italic;"&gt;In Cold Blood&lt;/span&gt;."&lt;/a&gt; Literary/craft analysis. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Helium: Where Knowledge Rules (June 2009).&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;/span&gt;&lt;a href="http://www.helium.com/items/1477062-where-bigfoot-walks-crossing-the-dark-divide-robert-michael-pyle"&gt;"Wild Thing: Tense, Association, and Merged-Consciousness in Robert Michael Pyle's &lt;span style="font-style: italic;"&gt;Where Bigfoot Walks: Crossing the Dark Divide&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.helium.com/items/1477062-where-bigfoot-walks-crossing-the-dark-divide-robert-michael-pyle"&gt;."&lt;/a&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Literary/craft analysis. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Helium: Where Knowledge Rules (June 2009).&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p itxtvisited="1"&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K.&lt;/span&gt; &lt;a href="http://www.helium.com/items/1473512-links-on-a-chain-in-rachel-carsons-silent-spring"&gt;"Links on a Chain in Rachel Carson's &lt;em&gt;Silent Spring&lt;/em&gt;."&lt;/a&gt; &lt;span style="font-size:100%;"&gt;Literary/craft analysis. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Helium: Where Knowledge Rules (June 2009).&lt;/span&gt;&lt;/p&gt;&lt;p itxtvisited="1"&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://www.helium.com/items/1477007-george-orwell-down-and-out-in-paris-and-london"&gt;"&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.helium.com/items/1477007-george-orwell-down-and-out-in-paris-and-london"&gt;Flattering Myths Revered in Common&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.helium.com/items/1477007-george-orwell-down-and-out-in-paris-and-london"&gt;: Assumption and Subversion in George Orwell's &lt;span style="font-style: italic;"&gt;Down and Out in Paris and London&lt;/span&gt;."&lt;/a&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Literary/craft analysis. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Helium: Where Knowledge Rules (June 2009).&lt;/span&gt;&lt;/p&gt;&lt;p itxtvisited="1"&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;/span&gt;&lt;a href="http://www.helium.com/items/1477076-nickel-and-dimed-barbara-ehrenreich-on-not-getting-by-in-america"&gt;"See, I &lt;span style="font-style: italic;"&gt;Am&lt;/span&gt; the Vacuum Cleaner: Using the Patently Absurd to Expose the Patently Obvious&lt;span style="font-size:100%;"&gt; in Barbara &lt;/span&gt;Ehrenreich's&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.helium.com/items/1477076-nickel-and-dimed-barbara-ehrenreich-on-not-getting-by-in-america"&gt; &lt;span style="font-style: italic;"&gt;Nickel and Dimed: On Not Getting By in America&lt;/span&gt;."&lt;/a&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Literary/craft analysis. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Helium: Where Knowledge Rules (June 2009).&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://www.sffworld.com/community/story/3293p0.html"&gt;"That Thing We Killed."&lt;/a&gt; Short story. SFFWorld.com (September 2008).&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://storywrite.com/story/207894"&gt;"Coffin Road: A Mortality Tale for Children."&lt;/a&gt; Short story. Storywrite.com &lt;/span&gt;&lt;span style="font-size:100%;"&gt;(September 2008). Re-printed at &lt;a href="http://www.smartmethodkids.com/child-care-tips/coffin-road-a-mortality-tale-for-children"&gt;Smart Method Kids.com&lt;/a&gt; (June 2009).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. "&lt;a href="http://www.authorsden.com/visit/viewshortstory.asp?AuthorID=92412"&gt;Just Passing By."&lt;/a&gt; Short story. AuthorsDen.com &lt;/span&gt;&lt;span style="font-size:100%;"&gt;(September 2008)&lt;/span&gt;&lt;span style="font-size:100%;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;span style="font-style: italic;"&gt;&lt;a href="http://waynespitzer.wordpress.com/2008/02/19/%E2%80%9Calgernon-blackwood%E2%80%99s-the-willows%E2%80%9D-by-wayne-spitzer-early-scriptment/"&gt;Algernon Blackwood's The Willows&lt;/a&gt;. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Screenplay/scriptment (WGA-West #1247825). &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:0;"&gt;SimplyScripts.com (&lt;/span&gt;February 2008). &lt;a href="http://www.simplyscripts.com/unpro_horror.html"&gt;Log-line&lt;/a&gt;. &lt;a href="http://www.diggwire.com/follow/657984/"&gt;Script/Swap review&lt;/a&gt;. &lt;a href="http://en.wikipedia.org/wiki/Scriptment"&gt;Wikipedia&lt;/a&gt;. &lt;a href="http://www.buried.com/interviews/horror.php?id=209"&gt;Interview at Buried.com.&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://www.helium.com/items/494902-alienation-the-theme-of-the-20th-century-novel"&gt;“The Return of the Soldier: Anger and Alienation in Pat Barker's Regeneration.”&lt;/a&gt; Helium: Where Knowledge Rules (July 2007).&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://www.helium.com/items/522868-literary-analysis-heart-of-darkness-by-joseph-conrad"&gt;“Joseph Conrad: A Prayer Against the Darkness.”&lt;/a&gt; Helium: Where Knowledge Rules (July 2007).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://waynespitzeroilofdog.blogspot.com/2007/07/our-thoughts-make-spirals-in-their.html"&gt;“Our Thoughts Make Spirals in Their World: Further Discussion on Film Adaptation and ‘The Willows’ with Blackwood’s Biographer, Mike Ashley.”&lt;/a&gt; From former column,&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt; Oil of Dog&lt;/span&gt;, appearing in &lt;a href="http://thedogpilemagazine.blogspot.com/"&gt;Dog Pile Magazine: an independent film e-zine&lt;/a&gt; (March 2004).&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://waynespitzeroilofdog.blogspot.com/2007/07/letters-for-algernon.html"&gt;“Letters for Algernon: Talking Film Adaptation and ‘The Willows’ with Blackwood’s Biographer, Mike Ashley.”&lt;/a&gt; From former column, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Oil of Dog&lt;/span&gt;, appearing in &lt;a href="http://thedogpilemagazine.blogspot.com/"&gt;Dog Pile Magazine: an independent film e-zine&lt;/a&gt; (March 2004). &lt;/p&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://thedogpilemagazine.blogspot.com/"&gt;&lt;/a&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://www.monstersatplay.com/features/reports/spitzer-article.php"&gt;“Ghosts of Saint Helens: Inspiration, Collaboration, and Why The Alpha Male and the Rogue Male Don’t Always Get Along.”&lt;/a&gt; Feature Article. Guest Writer. Monsters at Play (August 2004).&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. “An Open Letter to Horror Fandom.” Random Sanity (October 2003).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spitzer, Wayne K. &lt;a href="http://www.buried.com/cgi-bin/horrorfiction/fiction.cgi?action=view&amp;amp;id=125"&gt;“Dedication.”&lt;/a&gt; Poem. Buried.com (October 2003).&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;FILM /&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;TELEVISION&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Co-writer/director, &lt;/span&gt;&lt;a href="http://www.vod.com/video/39105/MonstersDotCom/?CLICK=85836&amp;amp;ct=5935"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Monstersdotcom&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;, feature-length dramatic film for Brimstone Media Productions LLC, Brighton MI, 2004. &lt;a href="http://www.imdb.com/title/tt0393494/combined"&gt;IMDb&lt;/a&gt;. &lt;a href="http://www.indievisionfilms.com/trailers/horror/Monstersdotcom.asp"&gt;View trailer&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Cinematographer/Actor, &lt;/span&gt;&lt;a href="http://www.buried.com/moviereviews/horror.php?id=1653"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Snakeman&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;, feature-length dramatic film for American Film Partners International (AFPI), Hollywood CA, 2003. &lt;a href="http://www.buried.com/interviews/horror.php?id=110"&gt;Ron Ford Interview&lt;/a&gt;.&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Writer/Director, &lt;/span&gt;&lt;a href="http://www.indieflix.com/FilmDetail.aspx?tid=10276"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;, 22-minute dramatic film for Shadows and Fog Media Ventures, Spokane WA, 2002. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.imdb.com/title/tt0390474/combined"&gt;IMDb&lt;/a&gt;. &lt;a href="http://www.amazon.com/Shadows-Garden-Anniversary-Wayne-Spitzer/dp/B0027FG1RM"&gt;Amazon&lt;/a&gt;. &lt;a href="http://www.rottentomatoes.com/m/shadows_in_the_garden/"&gt;Rotten Tomatoes&lt;/a&gt;. &lt;a href="http://www.buried.com/interviews/horror.php?id=107"&gt;Interview at Buried.com&lt;/a&gt;. &lt;a href="http://revver.com/video/327156/shadows-in-the-garden-preview/"&gt;View clip&lt;/a&gt;. &lt;a href="http://www.youtube.com/watch?v=7FNtKxawqOc&amp;amp;feature=channel_page"&gt;View Fox News story&lt;/a&gt;.&lt;a href="http://www.imdb.com/title/tt0390474/combined"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Cinematographer/Actor, &lt;/span&gt;&lt;a href="http://www.buried.com/moviereviews/horror.php?id=476"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Last Stop Station&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;, 15-minute dramatic film for Shadows and Fog Media Ventures, Spokane WA, 2001. &lt;a href="http://www.imdb.com/title/tt0360735/combined"&gt;IMDb&lt;/a&gt;. &lt;a href="http://www.netflix.com/Movie/The_Award_Winners_of_Hollywood_Scarefest_2005/70040861"&gt;Netflix&lt;/a&gt;.&lt;a href="http://www.imdb.com/title/tt0360735/combined"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Writer/Director, &lt;/span&gt;&lt;a href="http://waynespitzerfilmmaker.blogspot.com/2007/09/dont-look-up-1997-stills-from-wayne_2758.html"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Don’t Look Up&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;, dramatic-format television pilot, TCI Communications, Cheney WA, aired 1997. &lt;a href="http://www.youtube.com/watch?v=vz46iMSeS-E&amp;amp;feature=channel_page"&gt;View clip&lt;/a&gt;.&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Creator/Co-producer, &lt;/span&gt;&lt;a href="http://www.myspace.com/dead_of_night_the_series"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Dead of Night&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;, dramatic-format television series, Cox Cable-Spokane, Spokane WA, aired 1994—1998. &lt;a href="http://www.youtube.com/watch?v=cb75CVzutQs"&gt;View Northwest Cable News story&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Creator/Co-producer/Co-host, &lt;/span&gt;&lt;a href="http://bp0.blogger.com/_RO7I9UFOLiQ/RwM-pF7TaeI/AAAAAAAAA1c/5__cjnOi8Qo/s1600-h/napblue.JPG"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Phantasmagoria&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;, discussion-format television series (topics in speculative fiction, film and culture), Cox Cable-Spokane, Spokane WA, aired 1993—1994. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Producer/Editor, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Echo of the Drum&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, feature-length documentary about Missionary work in Zaire Africa, for Grace Ministries International, Grand Rapids, MN, 1991. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Production Assistant, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Serious Choices&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, feature-length documentary for the Washington State Crime Education Task Force, Spokane WA, 1990. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Production Assistant, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Rx for Rural Health&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, feature-length documentary for KSPS Public Television, Spokane WA, 1989. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;SELECTED&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;STUDENT&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;FILMS&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Writer/Director, &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=m2fkg4vSnRI&amp;amp;feature=channel"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Eye of the Storm&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt; (60-minute video, dramatic format), Spokane Falls Community College, Spokane WA, 1988. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Writer/Director, &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=6JaPgQr9B6A&amp;amp;feature=channel_page"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shades of Black&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt; (45-minute video, dramatic format), Spokane Falls Community College, 1987. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;PANELS /&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;PRESENTATIONS&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Special Guest, &lt;span style="font-style: italic;"&gt;Shadows in the Garden &lt;/span&gt;Screening and Independent Filmmaking Panel, &lt;a href="http://www.spokanecomicon.com/"&gt;Spokane Comicon 2009&lt;/a&gt;, Spokane Falls Community College, Spokane WA, May 2009.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“In the Dead of Night: Film Noir and the Process of Creation.” Multimedia exhibition and panel discussion presented to Seventh Annual Inland Empire Science Fiction and Fantasy Convention (Incon 1995), Spokane WA, October 1995. Revised version presented to Incon 1996, October 1996. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“The Art of Workshop, Word Weavers’ Style.” Panel discussion co-presented by &lt;a href="http://www.baen.com/author_catalog.asp?author=jdalmas"&gt;John Dalmas&lt;/a&gt; (&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;&lt;a href="http://books.google.com/books?id=JrJnV9ksji4C&amp;amp;dq=%22John+Dalmas%22+the+regiment&amp;amp;printsec=frontcover&amp;amp;source=bl&amp;amp;ots=mLCFs_i0Yy&amp;amp;sig=Avqo4scemkzBTwZgp-DmHJ7Ndlc&amp;amp;hl=en&amp;amp;ei=RCEnSpfYFZy6tAPZ8dA1&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1"&gt;The Regiment&lt;/a&gt;, &lt;a href="http://www.amazon.com/Fanglith-John-Dalmas/dp/0671559885"&gt;Fanglith&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;), Loren Robinson (&lt;/span&gt;&lt;a href="http://www.amazon.com/s?ie=UTF8&amp;amp;search-alias=stripbooks&amp;amp;field-keywords=loren%20robinson&amp;amp;page=1"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Search and War&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;), and members of the Spokane Word Weavers writers’ group to Incon 1995, Spokane WA, October 1995. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“Phantasmagoria: SF, Horror and Fantasy in the Popular Culture &amp;amp; Beyond.” Multimedia exhibition and panel discussion co-presented to sixth annual Inland Empire Science Fiction and Fantasy Convention (Incon 1994), Spokane WA, October 1994. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;“The Art of Critique, Word Weavers’ Style.” Panel discussion co-presented by John Dalmas, Loren Robinson, and members of the Spokane Word Weavers to Incon 1994, Spokane WA, October 1994. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Public reading (w/Word Weavers) from novella, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Behind a Pale Mask&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, at Auntie’s Bookstore, Spokane WA, 1992. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;SELECTED&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;WORK /&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;PROFESSIONAL &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;EXPERIENCE&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Securitas Security Services-USA, Spokane, WA / Kevin Stumph, Supervisor / July 2004—July 2007 / Security Officer for Community Colleges of Spokane (CPR Certified) &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Inland Northwest Center for Writers, Eastern Washington University, Spokane, WA / Sam Ligon, Senior Editor / September 2006&lt;span style="font-weight: bold;"&gt;—Present&lt;/span&gt; / Editorial Assistant, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Willow Springs&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;JFK Library Archives and Special Collections, Eastern Washington University, Cheney, WA / Charles Mutschler, Ph.D. / September 2001—May 2002 / Research Assistant/Data Entry &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;CWI Security, Yakima, WA / Wesley Parton, Supervisor / August 1995—June 2002 / Patrol Officer &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Aesop Productions, Cheney, WA / Rick Kisely, Owner / 1996—1997 / Copywriter/Editor/ Videographer &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Hillyard/Heritage Press, Hillyard, WA / Bob Kaumstra, Owner / 1991—1992 / Managing Editor, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Hillyard Express&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Lon Gibby Productions, Spokane, WA / Corey Burgess, Supervisor / July 1989—February 1990 / Production Assistant&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;KSPS-TV Channel 7 PBS, Spokane, WA / Jim Zimmer, Bob Lawrence, Supervisors / 1988—1989 / Production Assistant &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spokane Falls Community College, Office of Student Activities, Spokane, WA / Ron Johnston, Supervisor / 1989—1990 / Multimedia Logistics and Support &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spokane Falls Community College, Channel 19, Media Services, Spokane, WA / 1987—1988 / Editor, Audio-visual Support &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Washington State Department of Agriculture, Civilian Conservation Corps, Spokane, WA / Johnny L. Minyard, Supervisor / 1985—1986 / Field Supervisor, Apple Maggot Quarantine Program/Forrest Fire Suppression &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Washington State Department of Natural Resources, Spokane, WA / 1984—1985 / Forest Fire Suppression/Pesticide Application &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;COMMITTEES /&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;COMMUNITY&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;INVOLVEMENT&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Safe P.L.A.C.E. (Positive Licensing Awareness for Childcare Environment) Committee, Eastern Washington Family Child Care Association. Donated skills/man-hours toward production of Public Service Announcement (PSA) for national television, Spokane WA, 1996 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Member of Spokane Word Weavers Writing Group, studying under science-fiction author John Dalmas, Spokane WA, 1992—1996 &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;FESTIVALS / &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;SCREENINGS&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;KYRS Short Film Festival to benefit Thin Air Community Radio, Spokane WA, June 2006. Work screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;1st Annual Spokane Falls Community College Horror Film Festival, Spokane WA, June 2006. Awarded prize for second place. Work screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;8th Annual North American Science Fiction Convention/Cascadia Con, Seattle WA, September 2005. Work screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Monstersdotcom&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Cinema Wasteland, Cleveland OH, September 2003. Work screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows and Fog&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spokane Independent Film Convention (SPIFCON), Veradale WA, October 2003. Works screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden, Last Stop Station, Monstersdotcom&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Tromadance 2002, Park City UT, October 2002. Work screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Last Stop Station&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;2nd Annual Spokane Film Festival at the Bing Crosby Performing Arts Center (formerly the Met), Spokane WA, September 1999. Works screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Dead of Night, Don't Look Up&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, and ad spots produced for Aesop Productions, Cheney WA. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;1st Annual Spokane Film Festival at the Bing Crosby Performing Arts Center (formerly the Met), Spokane WA, September 1998. Works screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Dead of Night, Don't Look Up&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, and ad spots produced for Aesop Productions, Cheney WA. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Spokane Art Supply Film Festival, Spokane WA, December 1997. Work screened: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Don't Look Up.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Screening, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Eye of the Storm&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Spokane Falls Community College SUB Lounge AB, Spokane WA, December 1988. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Screening, &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shades of Black&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Spokane Falls Community College SUB Lounge AB, Spokane WA, May 1987. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;CITATIONS&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;(PRINT)&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Moll, Jessica. (June 15, 2006) Inlander Picks. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Pacific Northwest Inlander&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 41. “This is an easy one. Just get yourself to the Community Building Wednesday night….” Work mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Webster, Dan. (October 28, 2005) Spookane's horror critics' picks. 7/&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 23. Work mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Webster, Dan.&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;(July 22, 2005)&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Everyone is allowed cinematic vices. 7/&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 21. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Webster, Dan. (July 1, 2005) Silver screen loves shooting in Spokane. 7/&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 20. Works mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Monstersdotcom, Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Webster, Dan. (January 15, 2005) A bloody genius. Inland Northwest Life/Arts. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: D1, D8. Work mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Amos, Melissa. (July 24, 2003) “Spokane's No-Budget Horror Filmmakers.” &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Local Planet Weekly&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Volume 4, No. 29: 8-9. Works mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Dead of Night, The Snake Man, Shadows in the Garden.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Corrigan, Mike. (October 24, 2002) “Dark Shadows.” &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Pacific Northwest Inlander&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 34-35. Work mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Webster, Dan. (March 9, 2001) Festival explores Spokane film world. Events/Art. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 16. Work mentioned:&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt; Shadows in the Garden.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Jensen, Chris. (March 8, 2001) “Night of the Local Indies.” This week at the movies. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Local Planet&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 14. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Webster, Dan. (September 21, 2000) Film festivals planned at brewery, gallery. Entertainment.&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt; The Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: D7. Work mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Palpant, Andrea. (September 21, 2000) Indie auteurs unite: Local independent filmmakers show their work at E Gallery. Film. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Pacific Northwest Inlander&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 19. Work mentioned: Shadows and Fog. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Kilmer, David. (September 16, 1998) Northwest stories. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Pacific Northwest Inlander&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 13. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Sanderson, Ward. (September 1, 1996) Dead men stalk airwaves: It's science fiction in River City before dawn. The Region. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: B1, B8. Work mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Dead of Night.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Webster, Dan. (March 20, 1994) Easy reading/Talking books: Booming industry caters to busy world by giving voice to the written word. Inset: Audiobook firm specializes in works of regional authors. E/T. Cover story. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Spokesman-Review&lt;/span&gt;&lt;span style="font-size:100%;"&gt;: 4-5. Work mentioned: &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Flashback.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;CITATIONS&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;(SELECTED&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;WEB)&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Wikipedia.com&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Wayne_Spitzer"&gt;http://en.wikipedia.org/wiki/Wayne_Spitzer&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;The Hollywood Reporter.com&lt;br /&gt;&lt;a href="http://www.hollywoodreporter.com/hr/search/imdb_index.jsp?page=/title/tt0390474/"&gt;http://www.hollywoodreporter.com/hr/search/imdb_index.jsp?page=/title/tt0390474/&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Talking Books on CD (Compact Disc)&lt;br /&gt;&lt;a href="http://www.arrowhead.lib.mn.us/audbkscass.pdf"&gt;www.arrowhead.lib.mn.us/audbkscass.pdf&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;The Internet Movie Database (IMDB)&lt;br /&gt;&lt;a href="http://poll.imdb.com/name/nm1508343/"&gt;http://poll.imdb.com/name/nm1508343/&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Reviewer's Roundtable: The B-12&lt;br /&gt;&lt;a href="http://www.microcinemascene.com/articles/comments/reviewers_roundtable_the_b_12/"&gt;http://www.microcinemascene.com/articles/comments/reviewers_roundtable_the_b_12/&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Penguin Comics.com&lt;br /&gt;&lt;a href="http://www.penguincomics.net/interviews/andykumpon.html"&gt;http://www.penguincomics.net/interviews/andykumpon.html&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Unspeakable Magazine.com&lt;/span&gt;&lt;span style="text-decoration: underline;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://lbhfs.proboards18.com/index.cgi"&gt;http://lbhfs.proboards18.com/index.cgi&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;RADIO / TV / FILM&lt;/strong&gt;&lt;strong&gt;&lt;br /&gt;APPEARANCES&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Played role of "Orderly #1" in &lt;span style="font-style: italic;"&gt;Give 'Em Hell, Malone&lt;/span&gt;, directed by Russel Mulcahy, starring Thomas Jane, Ving Rhames, and Elsa Pataky. Hannibal Pictures/North by Northwest Productions, Spokane WA, 2008.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Interviewed on &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Tom Grant Show&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, KSBN Money Talk 1230 AM, Spokane WA, 2003. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Mentioned on &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Rick Miller Show&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, 1510 KGA AM, Spokane WA, 2002 and 2003. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Interviewed on B&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;+ Movie-Making with Les Sekely&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, Adrenaline Radio.com, 2001 and 2002. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Mentioned on &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;The Mike Fitzsimmons Show&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, KXLY Newsradio 920, Spokane WA 2000. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Profiled on &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Fox 28 News at Ten&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, KAYU TV Fox 28, Spokane WA, 2000. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Profiled on &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Northwest Cable News&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, “That’s Different,” Northwest Cable News/NWCN, Seattle WA, 1996. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;WEB&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;INTERVIEWS&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Interviewed at Buried.com: Everything that is horror, October 2003. &lt;a href="http://www.buried.com/interviews/horror.php?id=107"&gt;http://www.buried.com/interviews/horror.php?id=107&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Co-interviewed with Andy Kumpon at Unspeakable Magazine.com, April 2004.&lt;/span&gt;&lt;span style="text-decoration: underline;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://lbhfs.proboards18.com/index.cgi"&gt;http://lbhfs.proboards18.com/index.cgi&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;Interviewed at Alan Idol's Horror Review, October 2004.&lt;br /&gt;&lt;a href="http://www.rue-morgue.com/forums/showthread.php?t=19764"&gt;http://www.angelfire.com/ego/idolsreviews/&lt;/a&gt;, &lt;a href="http://www.rue-morgue.com/forums/showthread.php?t=19764"&gt;http://www.rue-morgue.com/forums/showthread.php?t=19764&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;SELECTED&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;REVIEWS&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;&lt;br /&gt;(PRINT / WEB)&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;span style="font-size:100%;"&gt;McCoy, Jeff. (Fall 2005) &lt;a href="http://bp2.blogger.com/_RO7I9UFOLiQ/Rvc-wl7TZ7I/AAAAAAAAAxA/czSnp5zkNmg/s1600-h/micro2.JPG"&gt;Review of &lt;/a&gt;&lt;/span&gt;&lt;a href="http://bp2.blogger.com/_RO7I9UFOLiQ/Rvc-wl7TZ7I/AAAAAAAAAxA/czSnp5zkNmg/s1600-h/micro2.JPG"&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;. &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Micro-Film Magazine&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, No. 7. Quoted from review: “The filmmakers … dare to tell this story in a non-traditional manner, providing exposition through dictionary definitions, newspaper clippings, talk radio voices, and even a motivational speaker that seems to mirror Sylkk's inner thoughts. Balancing the literate ideas are various intriguing images representing Sylkk's fantasies and psychic visions, often mated together in complex visual compositions….”&lt;br /&gt;&lt;br /&gt;Scifilm. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2003.&lt;br /&gt;“… a solid if simple story, artfully told, and polished until it shines. … It’s films like Wayne’s that made me fall in love with indy films in the first place.”&lt;br /&gt;&lt;a href="http://www.scifilm.org/reviews3/shadowsgarden.html"&gt;http://www.scifilm.org/reviews3/shadowsgarden.html&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;Ziggy’s Video Realm. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;. 2004.&lt;span style="font-size:100%;"&gt;&lt;br /&gt;“Atmospheric, thoughtful, and captivating … Spitzer has put together 20 minutes of film that are easily as good or better than a fair percentage of the stuff that used to air on The Outer Limits every week … a triumph….”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;a href="http://www.ziggysvideorealm.com/reviews/shadowsinthegarden.htm"&gt;http://www.ziggysvideorealm.com/reviews/shadowsinthegarden.htm&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;a href="http://www.reelcriticism.com/ziggyrealm/reviews/shadowsinthegarden.html"&gt;http://www.reelcriticism.com/ziggyrealm/reviews/shadowsinthegarden.html&lt;/a&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Horrorview. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2003.&lt;br /&gt;“The film packs a lot of emotion and cohesive visual storytelling into its trim running time, not wasting a minute on forced narrative or expository imagery … Lean, mean, and effective, Shadows in the Garden delivers.”&lt;/span&gt;&lt;span style="text-decoration: underline;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.horrorview.com/shadows%20in%20the%20Garden.htm"&gt;http://www.horrorview.com/shadows%20in%20the%20Garden.htm&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;The SF, Horror and Fantasy Film Review. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Monstersdotcom&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2003.&lt;br /&gt;“… another evocative piece that comes with an ambitious professionalism that quite belies the next-to-no-budget it was made on ….”&lt;br /&gt;&lt;a href="http://www.moria.co.nz/horror/monstersdotcom.htm"&gt;http://www.moria.co.nz/horror/monstersdotcom.htm&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Horrordiva. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2003.&lt;br /&gt;“… stumbles through its technological road blocks to deliver an atmospheric, kitschy cult potential … genre bending ….”&lt;br /&gt;&lt;a href="http://www.horrordiva.com/new/essays/shadows.php"&gt;http://www.horrordiva.com/new/essays/shadows.php&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Cinema Eye. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2004.&lt;br /&gt;“… the surreal imagery and steady downpour of rain really create a creepy and lonely atmosphere … Note to aspiring filmmakers: There's a lesson to be learned here.”&lt;a href="http://www.cinemaeye.com/index/reviews/rev_more/lo-res-shadows-inthe"&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href="http://www.cinemaeye.com/index/reviews/rev_more/lo-res-shadows-inthe-garden/"&gt;http://www.cinemaeye.com/index/reviews/rev_more/lo-res-shadows-inthe-garden/&lt;/a&gt;&lt;a href="http://www.cinemaeye.com/index/reviews/rev_more/lo-res-shadows-inthe-garden/"&gt;-garden/&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Film Festival Today. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2004.&lt;br /&gt;“Told with a touching fairytale simplicity matched with a flair for grand guignol … it makes for a spooky little fable that, at the climax, reveals itself as being well intentioned and effectively Capra sentimental.”&lt;br /&gt;&lt;a href="http://www.filmfestivaltoday.com/article_item.asp?ID=361"&gt;http://www.filmfestivaltoday.com/article_item.asp?ID=361&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;The Astounding B Monster. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2003.&lt;br /&gt;“… it isn't pernicious or overly cynical ….”&lt;br /&gt;&lt;a href="http://www.bmonster.com/may2003.shtml"&gt;http://www.bmonster.com/may2003.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Horror Review: Horror, SciFi &amp;amp; Fantasy Movie Reviews. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Monstersdotcom&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2003.&lt;br /&gt;“All film students or people interested in seeking out filmmaking as a career should buy this film and study it ….”&lt;br /&gt;&lt;a href="http://fast.horrorseek.com/horror/horrorreview/sequels/past0203.html"&gt;http://fast.horrorseek.com/horror/horrorreview/sequels/past0203.html&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Film Threat Magazine. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2003.&lt;br /&gt;“The big difference here is that Wayne has obvious talent and a vision all his own, not one he's borrowing from someone else and then shredding it for all to wince at.”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;a href="http://filmthreat.com/index.php?section=reviews&amp;amp;Id=5232"&gt;http://filmthreat.com/index.php?section=reviews&amp;amp;Id=5232&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;Monsters at Play. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2004.&lt;br /&gt;“… a nice homage to the classic b-movie creature features of yesteryear.”&lt;/span&gt;&lt;span style="text-decoration: underline;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.monstersatplay.com/review/vhs/mdotcom.php"&gt;http://www.monstersatplay.com/review/vhs/mdotcom.php&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.bindependent.com/reviews/shadowsinfog.htm"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;b-independent. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2004.&lt;br /&gt;“… bring [s] to the table exactly what I've always found lacking in Lovecraft's work, humor and pathos.”&lt;br /&gt;&lt;a href="http://www.b-independent.com/reviews/shadowsinfog.html"&gt;http://www.b-independent.com/reviews/shadowsinfog.html&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;CultCuts Magazine: Films for the rest of us. Review of &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;Shadows in the Garden&lt;/span&gt;&lt;span style="font-size:100%;"&gt;. 2003.&lt;br /&gt;“… original … atmospheric … surpasses in story and emotion over typical monster films. Highly recommended!”&lt;br /&gt;&lt;a href="http://www.cultcutsfilms.com/"&gt;http://www.cultcutsfilms.com/&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;PERSONAL, PROFESSIONAL&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;AND ACADEMIC REFERENCES&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;UPON REQUEST&lt;/strong&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size:100%;"&gt;June 3, 2009&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6850465001878657610-7568762669462139748?l=waynespitzercv.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://waynespitzercv.blogspot.com/feeds/7568762669462139748/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6850465001878657610&amp;postID=7568762669462139748' title='39 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6850465001878657610/posts/default/7568762669462139748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6850465001878657610/posts/default/7568762669462139748'/><link rel='alternate' type='text/html' href='http://waynespitzercv.blogspot.com/2009/06/w-ayne-spitzer-is-author-filmmaker-and_01.html' title=''/><author><name>_____________</name><uri>http://www.blogger.com/profile/17575006649361245068</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_RO7I9UFOLiQ/SkA2ItGDJII/AAAAAAAAB6o/43fzuhelmhE/S220/youuimprove.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_RO7I9UFOLiQ/SiSp5I_YWXI/AAAAAAAABks/hjaMtOJpnpk/s72-c/headshot099.gif' height='72' width='72'/><thr:total>39</thr:total></entry></feed>
